Revenge

revenge

Ouch

Just after the release of Man On Fire, I dug out an old Tony Scott movie called Revenge. It makes a very interesting companion piece to the later movie, treating a similar story as one of revenge rather than redemption.

Kevin Costner stars as a fighter pilot who has an affair with Madeleine Stowe (unfortunately married to rich Mexican gangster Anthony Quinn), setting up a series of violent incidents. Although the movie is coated in Scott’s trademark style of the time (this was just after Top Gun), and the first half is more or less a standard romantic melodrama, it’s notable for an amazingly downbeat and serious second half which demonstrates the pointlessness and emptiness of revenge as a motive. Fine performances from the leads and from a great supporting cast, including Miguel Ferrer, Tomas Milian and John Leguizamo.

Update:

I reviewed Revenge a while ago, and now it’s returned in a director’s cut which is unusually 20 minutes SHORTER than the original.  A memorable bit of violence has been removed, the sex scenes are more explicit, a lot of the secondary characters have gone and it all feels more like a straightforward action movie. The end is still a real downer, in a positive way, but one dialogue scene has been removed which is badly missed. Scott is obviously trying to bring some attention to an unjustly-neglected part of his back catalogue, which is good, but it also seems he’s updating his movie to cater for a modern audience with a shorter attention span. Which isn’t good.

Mild Peril Rating: ★★★½☆

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2 Responses to Revenge (1990)

  1. teeth whitening on February 12, 2010 at 12:03 am

    Well spoken. I have to research more on this as it seems quite interesting.

  2. Cutter’s Way (1982) | Mild Peril on May 10, 2011 at 12:23 pm

    [...] It’s also by far Passer’s greatest achievement. I’ve not been able to find any of the movies he made in Czechoslovakia before he emigrated to the USA, but his other American movies don’t seem to be by the same man. Lots of reference works put the success of this movie down to his outsider’s view, but he’s actually created a very American movie here, albeit one with a mood unlike any other movie I can think of right now. In this he’s helped by the late great cinematographer Jordan Cronenweth, giving this a dream-like mix of a noir look and bright sunshine. (Cronenweth seemed to have a thing about slow-motion parades, as State of Grace opens in a very similar way). And there’s the usual slightly odd score from Jack Nietsche. The screenplay is by Jeffrey Alan Fiskin, who would later write Tony Scott’s Revenge. [...]

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